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Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Alden J Weir
1852-1919 Painter, printmaker and teacher, son of (1) Robert Walter Weir. His art education began in the studio of his father. There he and his half-brother (2) John Ferguson Weir acquired an appreciation for the Old Masters, particularly of the Italian Renaissance and of the 17th-century Dutch schools. While Weir pursued in his art a course very different from that of his father and half-brother, his personality as well as his artistic attitudes were shaped by them. In the winters of 1870-71 and 1871-2, he continued his studies at the National Academy of Design in New York, where his instructor was Lemuel Wilmarth (1835-1918).

 

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Alden J Weir Lady with a Mandolin oil painting

Painting ID::  4570

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Alden J Weir
Lady with a Mandolin

   
   
     

 

 

Alden J Weir Albert s Son oil painting

Painting ID::  4628

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Alden J Weir
Albert s Son
20inx24
   
   
     

 

 

Alden J Weir Buiding a Dam,Shetucket oil painting

Painting ID::  44797

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Alden J Weir
Buiding a Dam,Shetucket
mk177 1908 Oil on canvas 31x40in
   
   
     

 

 

Alden J Weir The Fishing Party oil painting

Painting ID::  44812

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Alden J Weir
The Fishing Party
mk177 1915 Oil on canvas 28x23
   
   
     

 

 

Alden J Weir The Red Bridge oil painting

Painting ID::  44813

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Alden J Weir
The Red Bridge
mk177 1895 Oil on canvas 24x33in
   
   
     

 

 

Alden J Weir The Plaza Nocturne oil painting

Painting ID::  44817

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Alden J Weir
The Plaza Nocturne
mk177 1911 Oil on canvas mounted on wood 29x39in
   
   
     

 

 

Alden J Weir Union Square oil painting

Painting ID::  72778

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Alden J Weir
Union Square
Date between 1876(1876) and 1882(1882) Medium Oil on canvas Dimensions 75.9 X 63.4 cm (29.88 X 24.96 in) cyf
   
   
     

 

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Alden J Weir
1852-1919 Painter, printmaker and teacher, son of (1) Robert Walter Weir. His art education began in the studio of his father. There he and his half-brother (2) John Ferguson Weir acquired an appreciation for the Old Masters, particularly of the Italian Renaissance and of the 17th-century Dutch schools. While Weir pursued in his art a course very different from that of his father and half-brother, his personality as well as his artistic attitudes were shaped by them. In the winters of 1870-71 and 1871-2, he continued his studies at the National Academy of Design in New York, where his instructor was Lemuel Wilmarth (1835-1918).